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    Review  
 
CHANDRAMUKHI
Banner : Shivaji Films
Cast : Rajinikanth, Prabhu, Jyothika, Nayanthara, Vadivel
Direction : P Vasu
Music : Vidhyasagar
 
 
At last, the movie we have all been waiting for has come on. Rajinikanth’s Chandramukhi raised feverish expectation after the dumping of Baba. Rajini needed a dose of vitamin success to revitalize his career. While he has reached the pinnacle in terms of popularity, there is a craving for more, which is the hallmark of a good entertainer. Chandramukhi’s story is a veiled adaptation of a very sensitive Malayalam movie, Manichitrathazhu. However, in fashioning the story to suit Rajini’s persona, the soul of the plot seems to have been lost. As an example, one could say the use of fire-spitting action scenes which do not correlate in the whole scheme of things.

Saravanan(Rajinikanth) is an accomplished psychiatrist, whose is summoned to cure his friend, Prabhu’s wife, Jyothika, who has the Jekyll and Hyde syndrome. The split personalities become pronounced after the couple move into the large mansion where Chandramukhi lived and was killed by her paramour. Jo is the devoted wife who turns nasty when possessed of the spirit of the estranged courtesan, Chandramukhi. Saravanan follows a methodical approach to treat the woman and everyone is happy at the end.

Let us see the good things first. Rajini belies his age on the screen and performs his antics with enthusiasm. His comic interludes with Vadivelu are the highlight of the movie. Shankar Josheph’s camera work is impressive. Vidyasagar’s music has enriched the songs which are soothing.

On to the flip side, the first casualty is the screenplay where the director seems to be in a dilemma as to give importance to the story or the star. His balancing act is quite precarious and the end result is mishmash. The use of excessive epithets praising the hero’s virtues is irritating. Almost everyone in the supporting cast (a real jumbo one) seems to be mouthing the same ideas. Nayantara as Rajini’s heroine is a mere prop and does nothing much. Jo’s attempts to breathe life into the character flounder and her verbal and facial pyrotechnics are jarring.

The film is hitched to Rajini’s band of diehard fans and can be watched once.
 
     
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